Akram Khan Company's 'Thikra' is a visceral experience that strips away meaning to leave only the raw emotions of colour and movement. The 60-minute piece, set in the vast outdoors of Wadi AlFann, harnesses its natural beauty to heighten the impact of the choreography.
Khan's graphic sense shines through in the bold lines and satisfying cuts of his dancers' movements, like a painter splashing colours on a canvas. It is crisply danced by an all-female cast with long hair swishing in unison, evoking a sense of unity and collective energy.
At its core, 'Thikra' tells a mythological tale of rebirth and healing, where a young woman dressed in white (Ching-Ying Chien) serves as the ancestral vessel. But Khan and collaborator Manal AlDowayan's narrative is far from dreamy or soft – it's a place of raw anger and searching, tempered by moments of breathtaking beauty.
Performances are compelling, with standout roles played by Azusa Seyama Prioville as the matriarch and Nikita Goile as one of her daughters. But it's Samantha Hines who brings a sense of unsettling unease to her character, like a beastly scavenger picking over Chien's body – a chilling portrayal that hints at the darker aspects of human nature.
In 'Thikra', Khan seems to be working on instinct rather than trying to unravel its meaning. It's not about deciphering complex symbolism or exploring abstract themes – it's about tapping into something primal and universal, a language that transcends words and rational thought.
Khan's graphic sense shines through in the bold lines and satisfying cuts of his dancers' movements, like a painter splashing colours on a canvas. It is crisply danced by an all-female cast with long hair swishing in unison, evoking a sense of unity and collective energy.
At its core, 'Thikra' tells a mythological tale of rebirth and healing, where a young woman dressed in white (Ching-Ying Chien) serves as the ancestral vessel. But Khan and collaborator Manal AlDowayan's narrative is far from dreamy or soft – it's a place of raw anger and searching, tempered by moments of breathtaking beauty.
Performances are compelling, with standout roles played by Azusa Seyama Prioville as the matriarch and Nikita Goile as one of her daughters. But it's Samantha Hines who brings a sense of unsettling unease to her character, like a beastly scavenger picking over Chien's body – a chilling portrayal that hints at the darker aspects of human nature.
In 'Thikra', Khan seems to be working on instinct rather than trying to unravel its meaning. It's not about deciphering complex symbolism or exploring abstract themes – it's about tapping into something primal and universal, a language that transcends words and rational thought.