Akram Khan Company's 'Thikra' is a visceral experience that strips away meaning to leave only the raw emotions of colour and movement. The 60-minute piece, set in the vast outdoors of Wadi AlFann, harnesses its natural beauty to heighten the impact of the choreography.
Khan's graphic sense shines through in the bold lines and satisfying cuts of his dancers' movements, like a painter splashing colours on a canvas. It is crisply danced by an all-female cast with long hair swishing in unison, evoking a sense of unity and collective energy.
At its core, 'Thikra' tells a mythological tale of rebirth and healing, where a young woman dressed in white (Ching-Ying Chien) serves as the ancestral vessel. But Khan and collaborator Manal AlDowayan's narrative is far from dreamy or soft – it's a place of raw anger and searching, tempered by moments of breathtaking beauty.
Performances are compelling, with standout roles played by Azusa Seyama Prioville as the matriarch and Nikita Goile as one of her daughters. But it's Samantha Hines who brings a sense of unsettling unease to her character, like a beastly scavenger picking over Chien's body – a chilling portrayal that hints at the darker aspects of human nature.
In 'Thikra', Khan seems to be working on instinct rather than trying to unravel its meaning. It's not about deciphering complex symbolism or exploring abstract themes – it's about tapping into something primal and universal, a language that transcends words and rational thought.
				
			Khan's graphic sense shines through in the bold lines and satisfying cuts of his dancers' movements, like a painter splashing colours on a canvas. It is crisply danced by an all-female cast with long hair swishing in unison, evoking a sense of unity and collective energy.
At its core, 'Thikra' tells a mythological tale of rebirth and healing, where a young woman dressed in white (Ching-Ying Chien) serves as the ancestral vessel. But Khan and collaborator Manal AlDowayan's narrative is far from dreamy or soft – it's a place of raw anger and searching, tempered by moments of breathtaking beauty.
Performances are compelling, with standout roles played by Azusa Seyama Prioville as the matriarch and Nikita Goile as one of her daughters. But it's Samantha Hines who brings a sense of unsettling unease to her character, like a beastly scavenger picking over Chien's body – a chilling portrayal that hints at the darker aspects of human nature.
In 'Thikra', Khan seems to be working on instinct rather than trying to unravel its meaning. It's not about deciphering complex symbolism or exploring abstract themes – it's about tapping into something primal and universal, a language that transcends words and rational thought.
 and honestly I'm still trying to process it... The way the dancers move with these bold lines & cuts is like a painter splashing colors on a canvas
 and honestly I'm still trying to process it... The way the dancers move with these bold lines & cuts is like a painter splashing colors on a canvas  , but what struck me most was how raw & emotional it felt. The story's got this mythological vibe going on but it's not all pretty - there's this anger & searching that feels real
, but what struck me most was how raw & emotional it felt. The story's got this mythological vibe going on but it's not all pretty - there's this anger & searching that feels real  . And that performance by Samantha Hines? Chilling as hell
. And that performance by Samantha Hines? Chilling as hell  . It's like Khan's tapped into something primal & universal, a language that goes beyond words
. It's like Khan's tapped into something primal & universal, a language that goes beyond words  . I love how the dancers' long hair swishes in unison, it adds to the sense of unity & collective energy
. I love how the dancers' long hair swishes in unison, it adds to the sense of unity & collective energy  . But what really got me thinking was how 'Thikra' doesn't try to unravel its meaning or be all deep & symbolic - it just feels... raw
. But what really got me thinking was how 'Thikra' doesn't try to unravel its meaning or be all deep & symbolic - it just feels... raw  .
. .
. . And that's exactly what 'Thikra' does - it's a visceral experience that'll leave you breathless and wondering what just happened.
. And that's exactly what 'Thikra' does - it's a visceral experience that'll leave you breathless and wondering what just happened. . It's like they're speaking straight to your soul. And the performances? Wow, standouts like Azusa Seyama Prioville and Nikita Goile are phenomenal, but Samantha Hines' portrayal is just chilling
. It's like they're speaking straight to your soul. And the performances? Wow, standouts like Azusa Seyama Prioville and Nikita Goile are phenomenal, but Samantha Hines' portrayal is just chilling  .
. . And I think that's what makes it so powerful.
. And I think that's what makes it so powerful. and i'm still reeling from the emotional experience! the way they use colour and movement to tap into raw emotions is EVERYTHING
 and i'm still reeling from the emotional experience! the way they use colour and movement to tap into raw emotions is EVERYTHING  it's like a visceral hug for your soul. the choreo is SO sharp & satisfying, i loved how the dancers' movements looked like bold brushstrokes on canvas
 it's like a visceral hug for your soul. the choreo is SO sharp & satisfying, i loved how the dancers' movements looked like bold brushstrokes on canvas  with these standout roles that just give you chills
 with these standout roles that just give you chills 


 . The way they use natural beauty to heighten the impact of the choreography is just mesmerizing. I love how it's all about raw emotions, no frills or fancy explanations needed. Samantha Hines’ character is seriously unnerving
. The way they use natural beauty to heighten the impact of the choreography is just mesmerizing. I love how it's all about raw emotions, no frills or fancy explanations needed. Samantha Hines’ character is seriously unnerving  , I mean who needs words when you can convey that kind of unease through movement? It feels like Khan and his collaborator are tapping into something deep within us, you know? Like a primal scream that we can all relate to
, I mean who needs words when you can convey that kind of unease through movement? It feels like Khan and his collaborator are tapping into something deep within us, you know? Like a primal scream that we can all relate to  I don’t think I fully understand the mythological tale but somehow it works for me
 I don’t think I fully understand the mythological tale but somehow it works for me 
 ! It's so visceral, you can feel the raw energy from the get-go
! It's so visceral, you can feel the raw energy from the get-go  . Just raw emotion, movement, and that stunning natural beauty. It's like he's speaking a language we can all understand, you know?
. Just raw emotion, movement, and that stunning natural beauty. It's like he's speaking a language we can all understand, you know? 
 ! The way the dancers move is like nothing I've ever seen before - so raw and emotional, it's like you can feel the emotions radiating from them
! The way the dancers move is like nothing I've ever seen before - so raw and emotional, it's like you can feel the emotions radiating from them  .
. .
. . And Samantha Hines' performance? Yaaas, that scene where she's picking over her sister's body gives me THE CHILLS
. And Samantha Hines' performance? Yaaas, that scene where she's picking over her sister's body gives me THE CHILLS  . But honestly, is it really about exploring deeper meaning or are we just watching a raw, visceral experience? I'm not sure, but I do know I need more of this in my life
. But honestly, is it really about exploring deeper meaning or are we just watching a raw, visceral experience? I'm not sure, but I do know I need more of this in my life  . And don't get me wrong, Akram Khan is a genius, but I'm not sure if his style is for everyone... I mean, some parts were mesmerizing, like that girl Samantha Hines's character was so unsettling
. And don't get me wrong, Akram Khan is a genius, but I'm not sure if his style is for everyone... I mean, some parts were mesmerizing, like that girl Samantha Hines's character was so unsettling 
 And what's up with those standout roles? I mean, Azusa Seyama Prioville is awesome as the matriarch, but Nikita Goile's character feels like she's just phoning it in... or is that the point?
 And what's up with those standout roles? I mean, Azusa Seyama Prioville is awesome as the matriarch, but Nikita Goile's character feels like she's just phoning it in... or is that the point? 
 .
. . It's as if he's stripping away meaning to reveal only the raw emotions of colour and movement, leaving the audience to tap into their own emotional reservoirs
. It's as if he's stripping away meaning to reveal only the raw emotions of colour and movement, leaving the audience to tap into their own emotional reservoirs  . But it's Samantha Hines who brings a sense of unsettling unease to her character that really gets under your skin
. But it's Samantha Hines who brings a sense of unsettling unease to her character that really gets under your skin  ! The way the dancers move is like a symphony of emotions
! The way the dancers move is like a symphony of emotions 
 - a language that doesn't require words, you know?
 - a language that doesn't require words, you know?  . The female cast is strong as hell
. The female cast is strong as hell  . Khan's got a gift, for sure
. Khan's got a gift, for sure  .
. ! I love how the choreo is all bold lines and cuts, it's like a painter splashing colors on the floor
! I love how the choreo is all bold lines and cuts, it's like a painter splashing colors on the floor  . And that story about rebirth and healing? It's so raw and emotional, I'm not even gonna try to analyze it too much... just let the feelings wash over you
. And that story about rebirth and healing? It's so raw and emotional, I'm not even gonna try to analyze it too much... just let the feelings wash over you  nikita goile is cool too, her character is so complex and i love how samantha hines brings this whole other level of unease to hers
 nikita goile is cool too, her character is so complex and i love how samantha hines brings this whole other level of unease to hers 
 and i am SHAKEN
 and i am SHAKEN  samantha hines was AMAZING as that one character who just eats the matriarch's body like a beast
 samantha hines was AMAZING as that one character who just eats the matriarch's body like a beast  u know? but what really got me is how raw & emotional it feels like akram khan isn't even trying to explain it or anything he's just tapping into this primal energy
 u know? but what really got me is how raw & emotional it feels like akram khan isn't even trying to explain it or anything he's just tapping into this primal energy  and honestly i think thats kinda genius
 and honestly i think thats kinda genius  i mean who needs words when you can just feel something like that thru your whole body? anyway just got back from the performance & still reeling from it
 i mean who needs words when you can just feel something like that thru your whole body? anyway just got back from the performance & still reeling from it