Guillermo del Toro and Oscar Isaac's Take on Frankenstein as a Latin American Story
The Mexican director Guillermo del Toro and actor Oscar Isaac recently opened up about their creative approach to bringing Mary Shelley's classic novel, Frankenstein, to life. The pair discussed how their shared Latin heritage influenced their vision for the film, revealing that they drew inspiration from their own cultural experiences.
For del Toro, it was crucial to explore the nuances of patriarchal power in the story, a theme he believes is particularly relevant to Latin cultures. He cited his own upbringing and the melodrama often present in Mexican cinema as key influences on his approach. The filmmaker shared an experience where he showed Isaac the 1949 film La Oveja Negra, starring Pedro Infante, which starred the iconic figure of machismo masculinity. This sparked Isaac's realization that Victor Frankenstein's character needed a strong masculine energy, reminiscent of Infante's on-screen presence.
Isaac also discussed how his own experiences as a Latino trying to prove himself in Hollywood shaped his approach to playing Victor Frankenstein. He mentioned feeling like an outsider and struggling with the pressure to excel above others, which influenced his portrayal of Victor's swagger and sensuality. Del Toro concurred, stating that he wanted an actor who could bring a fresh perspective to the role, mirroring how his own Latin identity informed his vision for the character.
The director also touched on the cultural significance of Catholicism in his film, describing it as "swarthy" and "operatic." He emphasized the importance of exploring these themes through Victor's journey. Isaac agreed, highlighting the need to portray outsiders within the story, a sentiment he drew from his own experiences moving between Guatemala and other countries.
Their conversation delves into the intricacies of cultural identity and artistic expression, with del Toro celebrating how his own Latin culture seeps into his films. He acknowledged that it's impossible to deny one's roots when creating art, and the rest of the world can either accept or resist these influences.
The Mexican director Guillermo del Toro and actor Oscar Isaac recently opened up about their creative approach to bringing Mary Shelley's classic novel, Frankenstein, to life. The pair discussed how their shared Latin heritage influenced their vision for the film, revealing that they drew inspiration from their own cultural experiences.
For del Toro, it was crucial to explore the nuances of patriarchal power in the story, a theme he believes is particularly relevant to Latin cultures. He cited his own upbringing and the melodrama often present in Mexican cinema as key influences on his approach. The filmmaker shared an experience where he showed Isaac the 1949 film La Oveja Negra, starring Pedro Infante, which starred the iconic figure of machismo masculinity. This sparked Isaac's realization that Victor Frankenstein's character needed a strong masculine energy, reminiscent of Infante's on-screen presence.
Isaac also discussed how his own experiences as a Latino trying to prove himself in Hollywood shaped his approach to playing Victor Frankenstein. He mentioned feeling like an outsider and struggling with the pressure to excel above others, which influenced his portrayal of Victor's swagger and sensuality. Del Toro concurred, stating that he wanted an actor who could bring a fresh perspective to the role, mirroring how his own Latin identity informed his vision for the character.
The director also touched on the cultural significance of Catholicism in his film, describing it as "swarthy" and "operatic." He emphasized the importance of exploring these themes through Victor's journey. Isaac agreed, highlighting the need to portray outsiders within the story, a sentiment he drew from his own experiences moving between Guatemala and other countries.
Their conversation delves into the intricacies of cultural identity and artistic expression, with del Toro celebrating how his own Latin culture seeps into his films. He acknowledged that it's impossible to deny one's roots when creating art, and the rest of the world can either accept or resist these influences.