Alpha Maid's latest album, Is This a Queue, finds the experimental London guitarist striking a balance between her signature scuffed-up production and superb songwriting. The result is an eclectic 31-minute listen that showcases Alpha Maid's DIY sound, dubbed-influences, and disaffected murmurings.
The record was written across several years and locations, with little given away in terms of specific influences or inspirations. However, the album checks out as a cohesive cluster of heady, rough-around-the-edges tracks that document the people and places Alpha Maid has encountered along the way.
The opening track sets the tone for the rest of the album, featuring a rickety drum loop, off-kilter bells, sinister screeches, and fragmentary voice recordings. Other notable tracks include swarming clouds of feedback, ritualistic drum workouts, and scrappy guitar jams, all woven together with a handful of hook-laden tracks that are more akin to songs than improvisations.
These memorable hooks are notable for their catchiness and angular post-punk guitars, merged with Manchester musician Leo Hermitt's coarse singsong delivery in the track "Numbers." On Smoke sounds like a break-up song warped through Alpha Maid's Auto-Tune-entrenched drawl. The album is tough and steely, offhandedly chucking in references to Giggs or industrial clang for every jangly riff.
While it may be tempting to call these tracks lo-fi, it's far from the truth - Alpha Maid's music is anything but delicate or twee. Instead, the album is a testament to her skill as a songwriter and musician, balancing the scuffed-up production with superb songwriting that stands on its own two feet.
The record was written across several years and locations, with little given away in terms of specific influences or inspirations. However, the album checks out as a cohesive cluster of heady, rough-around-the-edges tracks that document the people and places Alpha Maid has encountered along the way.
The opening track sets the tone for the rest of the album, featuring a rickety drum loop, off-kilter bells, sinister screeches, and fragmentary voice recordings. Other notable tracks include swarming clouds of feedback, ritualistic drum workouts, and scrappy guitar jams, all woven together with a handful of hook-laden tracks that are more akin to songs than improvisations.
These memorable hooks are notable for their catchiness and angular post-punk guitars, merged with Manchester musician Leo Hermitt's coarse singsong delivery in the track "Numbers." On Smoke sounds like a break-up song warped through Alpha Maid's Auto-Tune-entrenched drawl. The album is tough and steely, offhandedly chucking in references to Giggs or industrial clang for every jangly riff.
While it may be tempting to call these tracks lo-fi, it's far from the truth - Alpha Maid's music is anything but delicate or twee. Instead, the album is a testament to her skill as a songwriter and musician, balancing the scuffed-up production with superb songwriting that stands on its own two feet.