Anselm Kiefer's monumental paintings at SLAM leave onlookers awestruck. The German artist's latest work, "Becoming the Sea," brings together layers of meaning and materials in a way that defies traditional art viewing experiences. Spanning over 12 feet tall and weighing over a ton, these behemoths of paint are not just visually striking but also an exercise in alchemy, as Kiefer transforms metal and organic materials into works of profound gravity.
Within the sprawling Saint Louis Art Museum's halls, Kiefer's five monumental site-specific paintings stand in stark contrast to more traditional gallery spaces. Utilizing a range of techniques – including emulsion, oil, acrylic, shellac, gold leaf, and sediment of electrolysis – these massive surfaces shimmer with subtle hints of gold, as the artist achieves a distinctive green hue by placing copper on one side of a large pot of saltwater and lead on the other.
The works also reveal Kiefer's deeply thoughtful approach to art-making, informed by his extensive research and reading. For example, in "For Paul Celan," he incorporates shellac, lead, clay, steel, chalk, charcoal, emulsion, oil, and acrylic to create a surface that peels like the crusted bark of a tree, with hidden recesses glinting beneath. This work pays tribute to the poet's life and struggles.
The exhibit also includes 20 works from the last five years, showcasing Kiefer's boundless creativity and ability to adapt his style to suit each new piece. From delicate woodcuts on paper to massive bronze sculptures honoring women throughout history, this body of work presents a kaleidoscope of artistic expression.
While some pieces have intricate details, others are deceptively simple – allowing viewers to discover surprising aspects in the materials and textures used. As you move around these paintings, they come alive, layer upon layer, inviting the viewer to become fully immersed in their world.
Kiefer's dedication to his craft is evident, as he continues to push boundaries with each new work. This latest exhibition at SLAM demonstrates why he remains a vital presence in contemporary art, and "Becoming the Sea" stands as a testament to his unwavering commitment to innovation and artistic expression.
Within the sprawling Saint Louis Art Museum's halls, Kiefer's five monumental site-specific paintings stand in stark contrast to more traditional gallery spaces. Utilizing a range of techniques – including emulsion, oil, acrylic, shellac, gold leaf, and sediment of electrolysis – these massive surfaces shimmer with subtle hints of gold, as the artist achieves a distinctive green hue by placing copper on one side of a large pot of saltwater and lead on the other.
The works also reveal Kiefer's deeply thoughtful approach to art-making, informed by his extensive research and reading. For example, in "For Paul Celan," he incorporates shellac, lead, clay, steel, chalk, charcoal, emulsion, oil, and acrylic to create a surface that peels like the crusted bark of a tree, with hidden recesses glinting beneath. This work pays tribute to the poet's life and struggles.
The exhibit also includes 20 works from the last five years, showcasing Kiefer's boundless creativity and ability to adapt his style to suit each new piece. From delicate woodcuts on paper to massive bronze sculptures honoring women throughout history, this body of work presents a kaleidoscope of artistic expression.
While some pieces have intricate details, others are deceptively simple – allowing viewers to discover surprising aspects in the materials and textures used. As you move around these paintings, they come alive, layer upon layer, inviting the viewer to become fully immersed in their world.
Kiefer's dedication to his craft is evident, as he continues to push boundaries with each new work. This latest exhibition at SLAM demonstrates why he remains a vital presence in contemporary art, and "Becoming the Sea" stands as a testament to his unwavering commitment to innovation and artistic expression.