The Adelaide writers' festival, one of Australia's most prestigious literary events, has collapsed amidst a firestorm of controversy and accusations of racism and censorship. The six-day war of words began when a business titan and arts board veteran quietly exited the festival's programming committee, but it quickly escalated into a full-blown crisis. Mass resignations, lawyers' letters of demand, and allegations of hypocrisy from all sides have left the festival in shambles.
At the heart of the storm is Palestinian Australian academic Randa Abdel-Fattah, whose invitation to the 2026 event was withdrawn just weeks ago. Her removal has sparked a global literary mutiny, with over 170 writers, commentators, and academics boycotting the festival. The British novelist Zadie Smith, Pulitzer prize winner Percival Everett, Greek economist Yanis Varoufakis, and Russian-American journalist M Gessen are among those who have turned against the festival.
The crisis began when a senior partner at law firm Dentons, Nicholas Linke, resigned from the board after discovering that Abdel-Fattah's views had been misrepresented. Abdel-Fattah herself was forced to issue a statement accusing the premier of South Australia, Peter Malinauskas, of "spewing anti-Zionism" and trying to silence her.
Malinauskas responded by delivering a now-notorious Bondi analogy, comparing Abdel-Fattah's views to those of a far-right Zionist who would commit a hate crime. The move sparked outrage from the academic community, with many accusing the premier of bullying and abuse of power.
The Adelaide Festival Corporation has since pulled the plug on this year's event, citing "irretrievable" damage. A new board has been formed, but it is unclear what the future holds for the festival.
As one observer noted, the collapse of the festival marks a new era in South Australia where free speech and difficult ideas are no longer tolerated. The city that was once known for its radicalism and provocations has become a place where social cohesion trumps intellectual discourse.
At the heart of the storm is Palestinian Australian academic Randa Abdel-Fattah, whose invitation to the 2026 event was withdrawn just weeks ago. Her removal has sparked a global literary mutiny, with over 170 writers, commentators, and academics boycotting the festival. The British novelist Zadie Smith, Pulitzer prize winner Percival Everett, Greek economist Yanis Varoufakis, and Russian-American journalist M Gessen are among those who have turned against the festival.
The crisis began when a senior partner at law firm Dentons, Nicholas Linke, resigned from the board after discovering that Abdel-Fattah's views had been misrepresented. Abdel-Fattah herself was forced to issue a statement accusing the premier of South Australia, Peter Malinauskas, of "spewing anti-Zionism" and trying to silence her.
Malinauskas responded by delivering a now-notorious Bondi analogy, comparing Abdel-Fattah's views to those of a far-right Zionist who would commit a hate crime. The move sparked outrage from the academic community, with many accusing the premier of bullying and abuse of power.
The Adelaide Festival Corporation has since pulled the plug on this year's event, citing "irretrievable" damage. A new board has been formed, but it is unclear what the future holds for the festival.
As one observer noted, the collapse of the festival marks a new era in South Australia where free speech and difficult ideas are no longer tolerated. The city that was once known for its radicalism and provocations has become a place where social cohesion trumps intellectual discourse.