Martin Fröst brings a fresh and playful spin to JS Bach's iconic music with his latest album release. Despite being composed before the modern clarinet existed, Fröst's silkily elegant playing makes each piece feel remarkably contemporary.
The intimate setting of the recording, which took place in Fröst's Swedish countryside studio, adds to the warmth and character of the music. The subtle interplay between Fröst and his fellow musicians, including bassist Sebastián Dubé and cellist Anastasia Kobekina, creates a sense of camaraderie that is both soothing and engaging.
Frost's decision to duet with his viola player brother Göran on two Inventions adds an interesting dimension to the music, while his double-tracked soloing on the G major Sinfonia showcases his impressive technical abilities. The fast-paced movements remain surprisingly subdued, never sacrificing the quiet, unassuming mood that pervades much of the album.
The inclusion of Jonas Nordberg's theorbo and Benny Andersson's reverb-heavy accompaniment adds an unexpected layer of depth to certain pieces. Although some might find the Largo from the Keyboard Concerto No 5 too schmaltzy, the use of Gounod's Ave Maria melody as a counterpoint is undoubtedly striking.
One can't help but feel that even ABBA's creator Benny Andersson has been influenced by Bach's timeless beauty, as seen in this unusual collaboration. Overall, Martin Fröst's latest album brings a welcome dose of freshness and fun to the world of classical music, reminding us that Bach's melodies remain capable of captivating audiences across generations.
The intimate setting of the recording, which took place in Fröst's Swedish countryside studio, adds to the warmth and character of the music. The subtle interplay between Fröst and his fellow musicians, including bassist Sebastián Dubé and cellist Anastasia Kobekina, creates a sense of camaraderie that is both soothing and engaging.
Frost's decision to duet with his viola player brother Göran on two Inventions adds an interesting dimension to the music, while his double-tracked soloing on the G major Sinfonia showcases his impressive technical abilities. The fast-paced movements remain surprisingly subdued, never sacrificing the quiet, unassuming mood that pervades much of the album.
The inclusion of Jonas Nordberg's theorbo and Benny Andersson's reverb-heavy accompaniment adds an unexpected layer of depth to certain pieces. Although some might find the Largo from the Keyboard Concerto No 5 too schmaltzy, the use of Gounod's Ave Maria melody as a counterpoint is undoubtedly striking.
One can't help but feel that even ABBA's creator Benny Andersson has been influenced by Bach's timeless beauty, as seen in this unusual collaboration. Overall, Martin Fröst's latest album brings a welcome dose of freshness and fun to the world of classical music, reminding us that Bach's melodies remain capable of captivating audiences across generations.
this album is like 
for my soul! martin fröst is a genius 
his playing style is so silky smooth 
and he brings such warmth 
to each piece. the way he duets with his bro göran on the inventions is 
magic 
the theorbo and reverb accompaniment by jonas nordberg and benny andersson adds this weird cool factor 
that's like a whole new level of depth. i love how some people might say it's schmaltzy but like no way 
gounod's ave maria is the best and it sounds amazing here. anyone else feel me? 
He's totally reimagined JS Bach's classic pieces with such a modern & playful vibe 
. The intimate setting of the recording is super charming, it feels like you're in his Swedish countryside studio sipping tea with him 
️. I also love how he collaborated with his viola player bro Göran on some tracks - it's so cool to see siblings get creative together 
. Fröst really knows how to make Bach sound fresh & exciting again 
. It's no wonder ABBA's creator was influenced by his genius - this album is pure magic 
Plus, I love how Fröst's brother Göran joins in on some of the tracks, adding this beautiful harmony to the music. It's really cool to see how different instruments can come together and create something new and special. And let's be real, who wouldn't want to hear ABBA's Benny Andersson play theorbo? 
. It's cool that his ABBA roots influenced Fröst's style, but I think this album shows that Bach's music is timeless and not just some dusty old stuff. Overall, it's a fresh take on classical that'll appeal to both old-school fans and newbies alike 
.
I mean, Fröst's playing is just so silky smooth and elegant, you can feel the history behind it but still get that contemporary feel 
I'm not usually one for Largo from the Keyboard Concerto No 5 being too sappy, but Gounod's Ave Maria melody does add this otherworldly quality 
What I love most is that Fröst's album feels like a conversation between old and new, tradition and innovation 
It just makes me want to sit back, relax, and let the music carry me away 
. And that setting in the Swedish countryside studio? Total magic 
That duet on Inventions? Pure genius! 
it feels like a breath of fresh air in the classical music scene 
! The way he plays those Inventions with his brother Göran on viola... magic 
. But you know what? Sometimes less is more, right? When they keep it quiet and simple, that's when the music really speaks to me 
. Fröst's passion and enthusiasm are contagious - he makes Bach feel fresh and exciting again! 
i mean seriously who thought it was a good idea to pair bach with abba? 
. The way he reimagines Bach's classic pieces is just magic 
. Can't wait to see what he does next! 
The way the music flows in his studio is so chill and intimate, it feels like we're hanging out with him sipping tea and jamming out 
. I mean, who needs ABBA when you have Bach and Fröst? 
. The intimacy of the studio, combined with the beautiful playing from his fellow musicians, makes you feel like you're right there in the Swedish countryside listening to him perform 
His latest album is so fresh & playful 
, even Bach's ancient compositions feel modern again 
Fröst's playing is silky smooth 
Benny Andersson's accompaniment is like magic 
still, the Ave Maria melody is pure gold 
Can't wait to see what Fröst does next