In a rare outing from his rural sanctuary, three colossal works by William Scott, a pioneering British abstract artist, are to be unveiled in the West Country for the first time. The monumental paintings, crafted during the height of Scott's artistic prowess in the late 1950s, are set to captivate audiences at the Museum of Somerset in Taunton.
Scott's distinctive style, characterized by his emphasis on finding beauty in everyday scenes and objects, is palpable in each of these large-scale works. A still life featuring humble pots and pans – 'Ochre Still Life' – stands alongside an abstract interpretation of a dry-stone wall, 'Black Painting', which showcases the artist's innovative approach to capturing the essence of rural landscapes.
The exhibition, titled 'Beauty in Plainness – William Scott in Somerset', not only highlights Scott's remarkable artistic journey but also delves into his intriguing encounter with American artistic icon Mark Rothko. In 1959, Rothko visited Scott's home in the West Country, where they engaged in lively discussions about murals and art.
One of the most fascinating aspects of their relationship is how it influenced each artist's work. Scott was commissioned to create a large mural for the entrance hall of Altnagelvin area hospital in Derry, Northern Ireland. The unveiling sparked an unsettling silence among the audience, underscoring the unconventional nature of the piece.
Meanwhile, Rothko was working on murals for a restaurant in New York's Seagram Building at the time. Feeling that the exclusive environment was unsuitable for his art, he eventually withdrew from the commission and donated nine canvases to the Tate.
The 'Beauty in Plainness' exhibition is set to run until February 7, 2026, providing an ideal opportunity for visitors to explore Scott's remarkable work and gain insight into his unique artistic philosophy.
Scott's distinctive style, characterized by his emphasis on finding beauty in everyday scenes and objects, is palpable in each of these large-scale works. A still life featuring humble pots and pans – 'Ochre Still Life' – stands alongside an abstract interpretation of a dry-stone wall, 'Black Painting', which showcases the artist's innovative approach to capturing the essence of rural landscapes.
The exhibition, titled 'Beauty in Plainness – William Scott in Somerset', not only highlights Scott's remarkable artistic journey but also delves into his intriguing encounter with American artistic icon Mark Rothko. In 1959, Rothko visited Scott's home in the West Country, where they engaged in lively discussions about murals and art.
One of the most fascinating aspects of their relationship is how it influenced each artist's work. Scott was commissioned to create a large mural for the entrance hall of Altnagelvin area hospital in Derry, Northern Ireland. The unveiling sparked an unsettling silence among the audience, underscoring the unconventional nature of the piece.
Meanwhile, Rothko was working on murals for a restaurant in New York's Seagram Building at the time. Feeling that the exclusive environment was unsuitable for his art, he eventually withdrew from the commission and donated nine canvases to the Tate.
The 'Beauty in Plainness' exhibition is set to run until February 7, 2026, providing an ideal opportunity for visitors to explore Scott's remarkable work and gain insight into his unique artistic philosophy.