Teen Jesus and the Jean Teasers aren't content with becoming one of Australia's biggest acts; they're just happy playing music with their mates.
For 15-year-old bandmates Scarlett McKahey, Anna Ryan, Jaida Stephenson, and Neve van Boxsel, forming a rock band wasn't about stardom or fame – it was simply about having fun. A sleepover in Canberra watching School of Rock inspired them to form the band, with a joke name that stuck: Teen Jesus and the Jean Teasers.
The four teenagers' punk spirit soon landed them gigs at venues they weren't even allowed to enter unchaperoned. Adults assumed they were in their mid-twenties when they were actually just 16 or 17.
"It was pretty cool," Ryan says, "but we thought we were really cool back then." McKahey chuckles, saying it was strange having school backpacks and lemonade on the rider for pub shows.
As the band's popularity grew, so did their impostor syndrome. When huge crowds lined up to see them play at Brisbane's Bigsound in 2018, Ryan wondered what they were waiting for. "I was like, what are they lining up for? Who is playing after us?"
Their 2022 EP Pretty Good for a Girl Band tackled the backhanded praise they often received as a girl band. The title was ironic, but people would say, "You guys ARE pretty good for a girl band!" – only to realize it was meant to be ironic.
The band's breakthrough album, I Love You, was more polished, with singles like Salt and Ahhhh! winning them best breakthrough artist at the Aria awards. They even opened for the Foo Fighters on their Australian tour, playing alongside Dave Grohl.
To prepare for opening gigs with the Foo Fighters, the band had to disconnect from the star's presence. "I had to completely disconnect," Ryan says. "I had to treat him as a regular person, because otherwise I'd throw up."
Teen Jesus and the Jean Teasers have navigated the music industry, which they found wasn't as scary as they thought. "We didn't do this because we want to become the biggest band in the world or we want to become famous," McKahey says. "It's just fun playing shows with our besties."
Their new album, Glory, showcases a darker, synthy sound, and includes songs like Balcony and Unscarred. The latter is a confident anthem about embracing vulnerability.
The band has found success without losing their individuality, thanks to five weeks of collaborative living with producer Catherine Marks at the studio. "It changed so much because of her," McKahey says. "She really made it exactly what we wanted."
Teen Jesus and the Jean Teasers' journey from schoolmates to professional musicians is still unfolding. As they continue to make music, they're grateful for the journey – and each other.
The band's bond is palpable, even in interviews. When asked about a song they wish they wrote, Reptilia by the Strokes is the answer. "It has one of the best guitar x bass solos of all time," McKahey says, forever jealous they didn't write it themselves.
As for songs to live by, Teen Jesus and the Jean Teasers have shared their favorites, from The Secret Life of… by the Veronicas (McKahey's first album) to Moonlight Lady by Julio Inglesias – a song that deserves classic status, according to Ryan.
For 15-year-old bandmates Scarlett McKahey, Anna Ryan, Jaida Stephenson, and Neve van Boxsel, forming a rock band wasn't about stardom or fame – it was simply about having fun. A sleepover in Canberra watching School of Rock inspired them to form the band, with a joke name that stuck: Teen Jesus and the Jean Teasers.
The four teenagers' punk spirit soon landed them gigs at venues they weren't even allowed to enter unchaperoned. Adults assumed they were in their mid-twenties when they were actually just 16 or 17.
"It was pretty cool," Ryan says, "but we thought we were really cool back then." McKahey chuckles, saying it was strange having school backpacks and lemonade on the rider for pub shows.
As the band's popularity grew, so did their impostor syndrome. When huge crowds lined up to see them play at Brisbane's Bigsound in 2018, Ryan wondered what they were waiting for. "I was like, what are they lining up for? Who is playing after us?"
Their 2022 EP Pretty Good for a Girl Band tackled the backhanded praise they often received as a girl band. The title was ironic, but people would say, "You guys ARE pretty good for a girl band!" – only to realize it was meant to be ironic.
The band's breakthrough album, I Love You, was more polished, with singles like Salt and Ahhhh! winning them best breakthrough artist at the Aria awards. They even opened for the Foo Fighters on their Australian tour, playing alongside Dave Grohl.
To prepare for opening gigs with the Foo Fighters, the band had to disconnect from the star's presence. "I had to completely disconnect," Ryan says. "I had to treat him as a regular person, because otherwise I'd throw up."
Teen Jesus and the Jean Teasers have navigated the music industry, which they found wasn't as scary as they thought. "We didn't do this because we want to become the biggest band in the world or we want to become famous," McKahey says. "It's just fun playing shows with our besties."
Their new album, Glory, showcases a darker, synthy sound, and includes songs like Balcony and Unscarred. The latter is a confident anthem about embracing vulnerability.
The band has found success without losing their individuality, thanks to five weeks of collaborative living with producer Catherine Marks at the studio. "It changed so much because of her," McKahey says. "She really made it exactly what we wanted."
Teen Jesus and the Jean Teasers' journey from schoolmates to professional musicians is still unfolding. As they continue to make music, they're grateful for the journey – and each other.
The band's bond is palpable, even in interviews. When asked about a song they wish they wrote, Reptilia by the Strokes is the answer. "It has one of the best guitar x bass solos of all time," McKahey says, forever jealous they didn't write it themselves.
As for songs to live by, Teen Jesus and the Jean Teasers have shared their favorites, from The Secret Life of… by the Veronicas (McKahey's first album) to Moonlight Lady by Julio Inglesias – a song that deserves classic status, according to Ryan.