Toni Geitani's latest release, Wahj, has solidified his position as a key player in the growing world of Arabic electronic experimentalism. The Beirut-born composer, who also works as a visual artist and sound designer, brings his unique blend of melodic sensibilities and sonic innovation to this sophomore album.
Wahj is an ambitious work that seamlessly blends traditional Arabic musical elements with modern electronic production techniques. Geitani's use of soaring layali vocalisations, reverb-laden drums, and analogue synths creates a cinematic soundscapes that draw listeners in and refuse to let go. From the opening track Hal, which sets a plaintive tone with a yearning cello solo, to the thundering drums and doomy synths of Ya Sah, Geitani's mastery of mood and atmosphere is on full display.
One of the standout aspects of Wahj is its ability to balance unease and tension with moments of beauty and tranquility. Tracks like Ruwaydan Ruwaydan, which tempers a pleasant jazz swing groove with an unexpected beat-switch and piercing ney flute line, demonstrate Geitani's skill at crafting musical narratives that keep listeners engaged. Meanwhile, closing track Madda Mudadda builds from calming ambience into a crushing chaos of static and whispered melody, cementing the album's reputation as a sonic odyssey.
Geitani's influence can be heard in producers such as Burial, whose shadowy nocturnal hiss has been cited as an inspiration by the composer. His dabke-sampling debut album Al Roujoou Ilal Qamar also demonstrated his willingness to experiment and push boundaries. On Wahj, Geitani takes this approach a step further, incorporating elements of industrial techno and Hans Zimmer-style melodrama into his sonic palette.
Wahj is an essential listen for fans of Arabic electronic experimentalism and anyone looking to expand their musical horizons. With its innovative production techniques, soaring melodies, and cinematic soundscapes, it's an album that will leave listeners breathless and eager for more.
Wahj is an ambitious work that seamlessly blends traditional Arabic musical elements with modern electronic production techniques. Geitani's use of soaring layali vocalisations, reverb-laden drums, and analogue synths creates a cinematic soundscapes that draw listeners in and refuse to let go. From the opening track Hal, which sets a plaintive tone with a yearning cello solo, to the thundering drums and doomy synths of Ya Sah, Geitani's mastery of mood and atmosphere is on full display.
One of the standout aspects of Wahj is its ability to balance unease and tension with moments of beauty and tranquility. Tracks like Ruwaydan Ruwaydan, which tempers a pleasant jazz swing groove with an unexpected beat-switch and piercing ney flute line, demonstrate Geitani's skill at crafting musical narratives that keep listeners engaged. Meanwhile, closing track Madda Mudadda builds from calming ambience into a crushing chaos of static and whispered melody, cementing the album's reputation as a sonic odyssey.
Geitani's influence can be heard in producers such as Burial, whose shadowy nocturnal hiss has been cited as an inspiration by the composer. His dabke-sampling debut album Al Roujoou Ilal Qamar also demonstrated his willingness to experiment and push boundaries. On Wahj, Geitani takes this approach a step further, incorporating elements of industrial techno and Hans Zimmer-style melodrama into his sonic palette.
Wahj is an essential listen for fans of Arabic electronic experimentalism and anyone looking to expand their musical horizons. With its innovative production techniques, soaring melodies, and cinematic soundscapes, it's an album that will leave listeners breathless and eager for more.
... I mean, the way he blends traditional Arabic musical elements with modern electronic production techniques is pure genius! The way he weaves together soaring layali vocalisations, reverb-laden drums, and analogue synths creates this cinematic soundscapes that transport you to another world 
. And what I love most about Wahj is how it balances unease and tension with moments of beauty and tranquility - it's like a rollercoaster ride for your emotions 
.
. And have you noticed how his influence can be heard in producers like Burial? It's clear that Geitani is not just a composer, but a true innovator and trailblazer 
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Get ready for sonic odysseys 
! He's pushing the boundaries of Arabic electronic music in such a cool way 
. Definitely going on repeat 
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Ruwaydan Ruwaydan is giving me LIFE 
can't wait to see what he comes up with next 
. And don't even get me started on how everyone's an expert now just because they listened to a few tracks 
. I swear, if Burial's influence is making people think they're knowledgeable about Arabic electronic experimentalism, then we've got bigger problems than just this album 
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toni geitani is taking it to the next level with wahj 
just heard about Toni Geitani's new album Wahj and I'm already feeling anxious 
. Another talented artist pushing the boundaries of Arabic electronic experimentalism... who's gonna keep up with this guy? 
And that Ruwaydan Ruwaydan track is giving me life, the jazz swing groove is everything! 
. anyone can throw together some soaring layali vocalisations and call it "cinematic" 
. and don't even get me started on the whole industrial techno thing... just a bunch of noise if you ask me 
. still, i guess some people might appreciate it for its experimental vibes 
just got out of the worst traffic jam in my area, made me 2 hours late for work 
can't even get excited about new music when I'm stuck in this 
but seriously Toni Geitani's latest album Wahj is fire 
it's like a sonic rollercoaster ride that keeps you on the edge of your seat 
. I'm also feeling the contrast between all the tense moments and those beautiful, calming sections... it's like a rollercoaster of emotions 
. Geitani's definitely making waves in the Arabic electronic scene, and if you haven't checked out his previous album Al Roujoou Ilal Qamar yet, you need to ASAP 
. i can already see why burial would be inspired by him! 
The beats are insane, the synths are insane, and that cello solo on Hal gives me chills every time 
. And can we talk about how cool it is that producers like Burial have been influenced by him? It's like Geitani's breaking down barriers between genres and making this whole new soundscape that's just incredible 
. His mastery of mood and atmosphere is truly impressive, effortlessly shifting between unease and tension to moments of breathtaking beauty 
. The influence of producers like Burial can be heard throughout, but Geitani's unique voice shines through with each listen 
. I'm loving the way he switches between soothing vibes 
and intense beats 
️, it's like he's taking you on an emotional rollercoaster 
. Overall, it's a solid album, but let's not get carried away just yet...