Broadway Star Levi Kreis Confronts Inner Demons in Semi-Autobiographical Musical 'Already Perfect'
In "Already Perfect," a semi-autobiographical musical that tackles themes of addiction, identity, and the complexities of human emotion, Broadway star Levi Kreis takes on a version of himself. The show's title is also a massive spoiler, as Kreis' character ultimately learns to accept his flaws and make peace with his past.
The story follows Matthew, a cocky young man who struggles with self-hatred and rejection in adolescence and self-destruction in adulthood. As he navigates these challenges, his inner child emerges, symbolized by a human version of Chucky that Kreis affectionately personifies. Through song, this "inner child" confronts the pain of Matthew's past and ultimately leads him to forgiveness.
The musical features a range of styles, from Pentecostal rumble to Nashville sob songs, showcasing an alluring blend of old-time religion rhythms and catchy melodies. The production design is clever, using a workaday dressing room as a theatrical playground with lights, costumes, and special effects.
Kreis brings his big voice and sincerity to the role, conveying the emotional intensity of Matthew's story through powerful performances. His unbridled dialogue leaves no nuance for subtlety, but it also allows the audience to connect with Matthew's emotions on a raw, visceral level.
While some critics have noted that Kreis' performance can feel overly earnest or lacking in nuance, there is no doubt about his talent and dedication to the role. The result is a compelling and emotionally resonant musical that offers a glimpse into the complexities of human struggle and redemption.
In "Already Perfect," a semi-autobiographical musical that tackles themes of addiction, identity, and the complexities of human emotion, Broadway star Levi Kreis takes on a version of himself. The show's title is also a massive spoiler, as Kreis' character ultimately learns to accept his flaws and make peace with his past.
The story follows Matthew, a cocky young man who struggles with self-hatred and rejection in adolescence and self-destruction in adulthood. As he navigates these challenges, his inner child emerges, symbolized by a human version of Chucky that Kreis affectionately personifies. Through song, this "inner child" confronts the pain of Matthew's past and ultimately leads him to forgiveness.
The musical features a range of styles, from Pentecostal rumble to Nashville sob songs, showcasing an alluring blend of old-time religion rhythms and catchy melodies. The production design is clever, using a workaday dressing room as a theatrical playground with lights, costumes, and special effects.
Kreis brings his big voice and sincerity to the role, conveying the emotional intensity of Matthew's story through powerful performances. His unbridled dialogue leaves no nuance for subtlety, but it also allows the audience to connect with Matthew's emotions on a raw, visceral level.
While some critics have noted that Kreis' performance can feel overly earnest or lacking in nuance, there is no doubt about his talent and dedication to the role. The result is a compelling and emotionally resonant musical that offers a glimpse into the complexities of human struggle and redemption.