South Australia's cultural elite have been left reeling after a bitter war of words tore apart the 2026 Adelaide Writers' Festival, an event meant to celebrate literature and ideas. The dispute began with a quiet disagreement over programming but escalated into a six-day free-for-all, culminating in the festival's collapse.
The seeds of discord were sown in October last year when Tony Berg, a former managing director of Macquarie Bank and Boral, resigned from the board of the Adelaide Writers' Festival. In his letter of resignation, Berg accused the festival's leadership of presiding over a "blatantly one-sided" program that had traded open debate for censorship.
Berg claimed that Louise Adler, the festival's director, had failed to provide balance in her programming since her appointment in 2022 and had "spewed anti-Zionism" through her choice of speakers. The writer Randa Abdel-Fattah was at the centre of the row, with Berg accusing her of being an extremist terrorist sympathiser after she responded to her cancellation by claiming the festival's leadership had engaged in racist and hypocritical tactics.
The backlash against the festival reached a fever pitch when over 170 literary luminaries signed an open letter demanding Abdel-Fattah's reinstatement. The festival's board eventually pulled the plug, with the new skeleton board announcing that the event would not go ahead this year.
In a desperate bid to save his reputation, Premier Peter Malinauskas sparked controversy by comparing Abdel-Fattah to a far-right Zionist who had allegedly murdered people at a mosque. However, this analogy was deemed defamatory by Randa Abdel-Fattah's lawyers and she has vowed to take further action against the premier.
The collapse of the Adelaide Writers' Festival is a stark reminder that even in the most unlikely places, the pursuit of social cohesion can quickly turn into a toxic game of politics. The event meant to celebrate literature and ideas was reduced to a battle over free speech and ideology, leaving many to wonder whether South Australia's cultural elite has lost its way.
The fallout from this debacle is far from over. Randa Abdel-Fattah has vowed to take action against Premier Peter Malinauskas, while the festival's board faces an uncertain future. One thing is clear: in a state that once prided itself on leading Australia in radical and provocative ideas, free speech and difficult debate are now under siege.
As one observer noted, "The city of churches has proven to be no sanctuary for free speech or difficult ideas." Instead, it has become a place where the rowdy pursuit of social cohesion has ended in the absolute quiet of a cancelled festival.
The seeds of discord were sown in October last year when Tony Berg, a former managing director of Macquarie Bank and Boral, resigned from the board of the Adelaide Writers' Festival. In his letter of resignation, Berg accused the festival's leadership of presiding over a "blatantly one-sided" program that had traded open debate for censorship.
Berg claimed that Louise Adler, the festival's director, had failed to provide balance in her programming since her appointment in 2022 and had "spewed anti-Zionism" through her choice of speakers. The writer Randa Abdel-Fattah was at the centre of the row, with Berg accusing her of being an extremist terrorist sympathiser after she responded to her cancellation by claiming the festival's leadership had engaged in racist and hypocritical tactics.
The backlash against the festival reached a fever pitch when over 170 literary luminaries signed an open letter demanding Abdel-Fattah's reinstatement. The festival's board eventually pulled the plug, with the new skeleton board announcing that the event would not go ahead this year.
In a desperate bid to save his reputation, Premier Peter Malinauskas sparked controversy by comparing Abdel-Fattah to a far-right Zionist who had allegedly murdered people at a mosque. However, this analogy was deemed defamatory by Randa Abdel-Fattah's lawyers and she has vowed to take further action against the premier.
The collapse of the Adelaide Writers' Festival is a stark reminder that even in the most unlikely places, the pursuit of social cohesion can quickly turn into a toxic game of politics. The event meant to celebrate literature and ideas was reduced to a battle over free speech and ideology, leaving many to wonder whether South Australia's cultural elite has lost its way.
The fallout from this debacle is far from over. Randa Abdel-Fattah has vowed to take action against Premier Peter Malinauskas, while the festival's board faces an uncertain future. One thing is clear: in a state that once prided itself on leading Australia in radical and provocative ideas, free speech and difficult debate are now under siege.
As one observer noted, "The city of churches has proven to be no sanctuary for free speech or difficult ideas." Instead, it has become a place where the rowdy pursuit of social cohesion has ended in the absolute quiet of a cancelled festival.