A provocative exhibition at the Carl Freedman Gallery in Margate, "Crossing into Darkness", delves into the darker corners of despair and melancholy through a curation of visionary artists including Goya, Munch, Bourgeois, Baselitz. The show is set to open on Sunday, offering a unique opportunity for viewers to immerse themselves in the somber atmosphere that permeates these iconic works.
In contrast, at the National Gallery in London, artist-in-residence Ming Wong has been exploring themes of homoeroticism in his response to paintings of Saint Sebastian. The exhibition, which is set to run until 5 April, promises to be a thought-provoking and visually stunning experience.
Another exhibit worth noting is "Souvenir", curated by artists Iain Forsyth and Jane Pollard at the Fitzrovia Chapel in London. This showcase celebrates the lost London of the late 1970s and early 1980s, with works by Michael Bracewell, Sal Pittman, and others.
The St John's College, Oxford exhibition "Story Painters, Picture Writers" delves into the power of narrative and its mysterious relationship to images, featuring artists such as Julian Bell, Gala Hills, and Jane Griffiths. The show runs until 2 February.
Meanwhile, at the Scottish National Portrait Gallery in Edinburgh, "Solidarity Wins" offers a testament to the power of community-driven art and activism through community-made posters, collages, and other artworks that reflect the struggles and triumphs of north Edinburgh's residents.
The Mauritshuis' latest acquisition, a restored version of Paulus Potter's "Bucolic Scene: The Bull", has shed new light on the artist's creative process. According to Abbie Vandivere, a painting conservator at the museum, the original outline of the bull was significantly altered by Potter to conform to 17th-century sensibilities.
In other news from the art world, it has been revealed that David Bowie spent time with outsider artists in a psychiatric clinic in 1994. Additionally, research suggests that Piet Mondrian's success may have been influenced by a cross-dressing lesbian artist who lived in a Cornish cove.
The National Gallery also features an exhibition of Saint Cecilia by Pietro da Cortona, offering a glimpse into the lives and roles of women in early 17th-century Italian art.
In contrast, at the National Gallery in London, artist-in-residence Ming Wong has been exploring themes of homoeroticism in his response to paintings of Saint Sebastian. The exhibition, which is set to run until 5 April, promises to be a thought-provoking and visually stunning experience.
Another exhibit worth noting is "Souvenir", curated by artists Iain Forsyth and Jane Pollard at the Fitzrovia Chapel in London. This showcase celebrates the lost London of the late 1970s and early 1980s, with works by Michael Bracewell, Sal Pittman, and others.
The St John's College, Oxford exhibition "Story Painters, Picture Writers" delves into the power of narrative and its mysterious relationship to images, featuring artists such as Julian Bell, Gala Hills, and Jane Griffiths. The show runs until 2 February.
Meanwhile, at the Scottish National Portrait Gallery in Edinburgh, "Solidarity Wins" offers a testament to the power of community-driven art and activism through community-made posters, collages, and other artworks that reflect the struggles and triumphs of north Edinburgh's residents.
The Mauritshuis' latest acquisition, a restored version of Paulus Potter's "Bucolic Scene: The Bull", has shed new light on the artist's creative process. According to Abbie Vandivere, a painting conservator at the museum, the original outline of the bull was significantly altered by Potter to conform to 17th-century sensibilities.
In other news from the art world, it has been revealed that David Bowie spent time with outsider artists in a psychiatric clinic in 1994. Additionally, research suggests that Piet Mondrian's success may have been influenced by a cross-dressing lesbian artist who lived in a Cornish cove.
The National Gallery also features an exhibition of Saint Cecilia by Pietro da Cortona, offering a glimpse into the lives and roles of women in early 17th-century Italian art.
like, "Crossing into Darkness" at Carl Freedman Gallery is just so deep, you know? exploring those darker corners of despair and melancholy... it's like, how do we even process that stuff? 
but at the same time, seeing those iconic works by Goya and Munch in person is gonna be surreal. and then there's Ming Wong's take on homoeroticism at the National Gallery... that's some heavy stuff too 
. what I'm saying is, these exhibitions are not just art shows, they're experiences 
. we gotta immerse ourselves in them, even if it feels uncomfortable 
.
. That's like, totally trippy, man. And now they're talkin' about Piet Mondrian's success bein' influenced by some kinda lesbian artist from Cornwall 
. I mean, I don't know what's more shockin', that David Bowie was hangin' out with mental health patients or that some dude lived in a Cornish cove dressed as a chick 
. Anyway, these exhibitions are like takin' a trip down memory lane, and I'm all for it 
.
the art world is so extra right now... all these exhibits are like, super dark and moody lol 
️ but for real though, i'm lowkey intrigued by "Crossing into Darkness" at the Carl Freedman Gallery in Margate. those goya and munch pieces sound hella intense 
his response to saint sebastian paintings is giving me LIFE 
and i love how "Souvenir" at the Fitzrovia Chapel is celebrating lost london. it's like, so nostalgic for me 
The variety of shows on offer is seriously impressive. I mean, "Crossing into Darkness" at the Carl Freedman Gallery sounds like the ultimate sombre experience for fans of Goya and Munch 
. And the fact that it's based on posters and collages created by north Edinburgh residents just makes me want to celebrate local talent 
.
Meanwhile, Piet Mondrian's possible connection to a cross-dressing lesbian artist is like something out of a history book – how cool is that?! 
I feel for anyone who's having a tough time dealing with dark emotions. It's like those artists at the Carl Freedman Gallery in Margate are speaking straight to your soul... but in a good way? 
I love how different exhibitions can be like little escapes from reality, you know? 
Anyway, it's always amazing to see how art can connect us all, even if we're feeling lost or melancholy 
. These exhibitions are like a much-needed confessional, where we can collectively grieve and find solidarity in the midst of chaos 
. And I love that they're celebrating outsider artists and women who were often overlooked or marginalized - it's about time their stories got told! 
I think its so cool that theres these different exhibits showin whats goin on in london and oxford - you got this super dark exhibition at carl freedman gallery but then ur also gettin to see sum beautiful stuff at the national gallery with ming wong's homoeroticism exhibit 
. And i love how theres this one exhibit that celebrates old london thats like a time capsule or somethin 
. I wonder what david bowies time with outsider artists was like, maybe he got some inspiration from them for his music 
. Its also dope to think about the cross-dressing lesbian artist who mighta helped piet mondrian become a success 
.
. It's amazing to see how art can bring people together and give voice to social issues. Just like, the Scottish National Portrait Gallery's "Solidarity Wins" is all about showing solidarity with north Edinburgh's residents, rather than just highlighting individual struggles 
.
It just goes to show that art can be so much more complex and multifaceted than we often give it credit for 
. Still, gotta give credit to the curators for making some really interesting exhibits pop up around town...
! there's literally something for everyone - from exploring dark corners of art to celebrating lost london vibes