The Holst Revival Gets a Whirlwind Makeover with Harmonica and Hoedown
A genre-bending mashup of classical and folk music, 'The Silent Planet' reimagines Gustav Holst's iconic suite 'The Planets', incorporating an eclectic mix of instruments and a healthy dose of improvisation. Melodeon and harmonica virtuoso Will Pound and percussionist Delia Stevens, part of the duo Stevens & Pound, brought their unique sound to the performance, blending folk roots with classical training.
As the evening unfolded, it became clear that this was no ordinary concert. The duo's infectious energy was palpable, with Stevens' dynamic stage presence and Pound's whimsical harmonica playing drawing the audience in. The result was a thrilling spectacle of virtuosity, as the performers careened from drones to jigs and reels with dizzying speed.
From the opening notes of 'Mars', it was clear that this wasn't going to be a staid classical performance. Conch shell blasts punctuated the air, followed by a whirlwind hoedown for Venus that left the audience grinning from ear to ear. The contrast between the duo's raw energy and the refined orchestration of Britten's 'English Folksong Suite' provided an intriguing counterpoint.
But it was the new movement, 'Earth', which proved the most striking development – its lilting tune reminiscent of William Byrd's 'All Things Bright and Beautiful'. For a fleeting moment, the chaos subsided, allowing the music to breathe. Still, the overall effect remained a frenetic, joyous romp, with Stevens & Pound's medley of folk tunes effortlessly segueing into tango, bluegrass, and other styles.
The audience was thoroughly won over by this unorthodox yet compelling take on Holst's masterpiece, leaving even the usually stoic conductor Clark Rundell smiling as they took their final bows.
A genre-bending mashup of classical and folk music, 'The Silent Planet' reimagines Gustav Holst's iconic suite 'The Planets', incorporating an eclectic mix of instruments and a healthy dose of improvisation. Melodeon and harmonica virtuoso Will Pound and percussionist Delia Stevens, part of the duo Stevens & Pound, brought their unique sound to the performance, blending folk roots with classical training.
As the evening unfolded, it became clear that this was no ordinary concert. The duo's infectious energy was palpable, with Stevens' dynamic stage presence and Pound's whimsical harmonica playing drawing the audience in. The result was a thrilling spectacle of virtuosity, as the performers careened from drones to jigs and reels with dizzying speed.
From the opening notes of 'Mars', it was clear that this wasn't going to be a staid classical performance. Conch shell blasts punctuated the air, followed by a whirlwind hoedown for Venus that left the audience grinning from ear to ear. The contrast between the duo's raw energy and the refined orchestration of Britten's 'English Folksong Suite' provided an intriguing counterpoint.
But it was the new movement, 'Earth', which proved the most striking development – its lilting tune reminiscent of William Byrd's 'All Things Bright and Beautiful'. For a fleeting moment, the chaos subsided, allowing the music to breathe. Still, the overall effect remained a frenetic, joyous romp, with Stevens & Pound's medley of folk tunes effortlessly segueing into tango, bluegrass, and other styles.
The audience was thoroughly won over by this unorthodox yet compelling take on Holst's masterpiece, leaving even the usually stoic conductor Clark Rundell smiling as they took their final bows.