Uruguay's Hidden Gem: A Seasonal Hub for Latin American Art
In the southern hemisphere's summer, a small fishing village on Uruguay's coast transforms into an exclusive seaside resort, attracting collectors and millionaires from across Latin America, Europe, and the US. Este Arte, a boutique-sized contemporary art fair, is the main draw, boasting a roster of galleries that have participated in prestigious fairs like Art Basel and Frieze.
The fair's creator, Laura Bardier, aimed to bring the Uruguayan art scene to the forefront, which meant creating a market that didn't exist. This year, on its first day, all galleries recovered their booth costs, with some selling their entire stand and having to rehang their works within 24 hours.
Este Arte's success can be attributed to its deliberately small scale, which has positioned it as an early bellwether for Latin America's contemporary art market. The fair offers a focused context that attracts engaged collectors and fosters deeper curatorial and commercial relationships between galleries.
The pavilion where the fair is held, Pavilion Vik, boasts a sober space located near the sea, opposite one of the most exclusive beach clubs on the coast. On the open-air terrace, visitors can enjoy glasses of sparkling wine while watching the sunset over the ocean.
This year's edition featured nine sculptures by Brazilian artist Vanderlei Lopes, created specifically for the fair and in dialogue with the coastal landscape. Prices range from $10,000 to $38,000. The German collector Robert Müller-Grünow has been attending the fair for five years, adding to his collection of young Latin American artists.
The fair is not the only event celebrating art in José Ignacio this year; the Focus International Photography Festival also took place, promoting photography as an artistic discipline and mounting free exhibitions in public and private spaces throughout the town. The festival's director, Gastón Deleau, spoke about his vision for the event, emphasizing its role in fostering conversations around contemporary art.
Another highlight was the exhibition by Mexican artist Ana Segovia at Fundación Cervieri Monsuárez, curated by Magalí Arriola. The show brings together recent paintings inspired by short documentaries produced in the US during the 1940s and 1950s, exploring the "Good Neighbor Policy" and its impact on Latin America.
Este Arte has become a crucial meeting point for Latin American contemporary art, with Ama Amoedo, an Argentine collector and patron, hailing it as a laboratory where the region's art scene tests its visibility and market strength. The fair continues to attract attention from collectors and galleries alike, solidifying José Ignacio's role in the regional cultural calendar.
With Este Arte leading the way, this small Uruguayan town has become an exclusive and luxurious seaside resort, attracting art lovers from across the globe.
In the southern hemisphere's summer, a small fishing village on Uruguay's coast transforms into an exclusive seaside resort, attracting collectors and millionaires from across Latin America, Europe, and the US. Este Arte, a boutique-sized contemporary art fair, is the main draw, boasting a roster of galleries that have participated in prestigious fairs like Art Basel and Frieze.
The fair's creator, Laura Bardier, aimed to bring the Uruguayan art scene to the forefront, which meant creating a market that didn't exist. This year, on its first day, all galleries recovered their booth costs, with some selling their entire stand and having to rehang their works within 24 hours.
Este Arte's success can be attributed to its deliberately small scale, which has positioned it as an early bellwether for Latin America's contemporary art market. The fair offers a focused context that attracts engaged collectors and fosters deeper curatorial and commercial relationships between galleries.
The pavilion where the fair is held, Pavilion Vik, boasts a sober space located near the sea, opposite one of the most exclusive beach clubs on the coast. On the open-air terrace, visitors can enjoy glasses of sparkling wine while watching the sunset over the ocean.
This year's edition featured nine sculptures by Brazilian artist Vanderlei Lopes, created specifically for the fair and in dialogue with the coastal landscape. Prices range from $10,000 to $38,000. The German collector Robert Müller-Grünow has been attending the fair for five years, adding to his collection of young Latin American artists.
The fair is not the only event celebrating art in José Ignacio this year; the Focus International Photography Festival also took place, promoting photography as an artistic discipline and mounting free exhibitions in public and private spaces throughout the town. The festival's director, Gastón Deleau, spoke about his vision for the event, emphasizing its role in fostering conversations around contemporary art.
Another highlight was the exhibition by Mexican artist Ana Segovia at Fundación Cervieri Monsuárez, curated by Magalí Arriola. The show brings together recent paintings inspired by short documentaries produced in the US during the 1940s and 1950s, exploring the "Good Neighbor Policy" and its impact on Latin America.
Este Arte has become a crucial meeting point for Latin American contemporary art, with Ama Amoedo, an Argentine collector and patron, hailing it as a laboratory where the region's art scene tests its visibility and market strength. The fair continues to attract attention from collectors and galleries alike, solidifying José Ignacio's role in the regional cultural calendar.
With Este Arte leading the way, this small Uruguayan town has become an exclusive and luxurious seaside resort, attracting art lovers from across the globe.