Mike Joyce's memoir, 'The Drums,' celebrates the untold story behind The Smiths' meteoric rise to fame, delving into the highs and lows of his time with the iconic indie band.
For Joyce, who played drums for The Smiths from 1983 to 1987, it was a "right place, right time" experience that saw him form an unbreakable bond with fellow musicians Johnny Marr, Morrissey, and Andy Rourke. However, as he reminisces about the tumultuous years leading up to their split, Joyce reveals the intense pressure and scrutiny they faced.
"The fear of God was absolutely entrenched in our lives," Joyce recalls of his Catholic upbringing, which had a profound impact on his perspective. This is further underscored by his own personal struggles, including a near-fatal car accident that left him with internal bleeding and seizures for over a year.
On the other hand, Marr's creative genius shines through in the band's intricate playing style, leaving Joyce in awe of the guitarist's talent. "Every day, you'd go round the house and he'd play some riff sat having a spliff in his jimmy-jams," Joyce laughs. "You'd be like, 'That's amazing. What's that?'"
Joyce also pays tribute to Morrissey's unique songwriting style, which effortlessly blended humor with darker themes. Despite their differing views on politics, Joyce maintains that he respects Morrissey's perspective and finds it difficult to separate the art from the artist.
However, the story takes a more complicated turn as Joyce recounts the band's troubled history of disputes over royalties and contracts. He was even forced to take his former bandmates to court after discovering they were paid only 10% of their rightful share. The case eventually awarded him Β£1m in damages, leaving Joyce both vindicated and bruised.
Despite this grueling ordeal, Joyce chooses to focus on the positives, celebrating the band's incredible legacy and the indelible mark they left on British music. "I was in the coolest, best British band that's ever been," he beamingly remarks.
As for whether he regrets pursuing the court case, Joyce's response is telling: "Yeah...but I didn't take Julian Cope to court and I haven't spoken to him for 30 years. To not be in touch with people you've been in bands with isn't that strange."
Joyce's memoir provides an intimate look into The Smiths' history, offering a nuanced exploration of the band's creative highs and personal tensions. Though Morrissey fans may still troll him online, Joyce remains committed to celebrating his former bandmates' music, rather than letting past disagreements define their legacy.
For Joyce, who played drums for The Smiths from 1983 to 1987, it was a "right place, right time" experience that saw him form an unbreakable bond with fellow musicians Johnny Marr, Morrissey, and Andy Rourke. However, as he reminisces about the tumultuous years leading up to their split, Joyce reveals the intense pressure and scrutiny they faced.
"The fear of God was absolutely entrenched in our lives," Joyce recalls of his Catholic upbringing, which had a profound impact on his perspective. This is further underscored by his own personal struggles, including a near-fatal car accident that left him with internal bleeding and seizures for over a year.
On the other hand, Marr's creative genius shines through in the band's intricate playing style, leaving Joyce in awe of the guitarist's talent. "Every day, you'd go round the house and he'd play some riff sat having a spliff in his jimmy-jams," Joyce laughs. "You'd be like, 'That's amazing. What's that?'"
Joyce also pays tribute to Morrissey's unique songwriting style, which effortlessly blended humor with darker themes. Despite their differing views on politics, Joyce maintains that he respects Morrissey's perspective and finds it difficult to separate the art from the artist.
However, the story takes a more complicated turn as Joyce recounts the band's troubled history of disputes over royalties and contracts. He was even forced to take his former bandmates to court after discovering they were paid only 10% of their rightful share. The case eventually awarded him Β£1m in damages, leaving Joyce both vindicated and bruised.
Despite this grueling ordeal, Joyce chooses to focus on the positives, celebrating the band's incredible legacy and the indelible mark they left on British music. "I was in the coolest, best British band that's ever been," he beamingly remarks.
As for whether he regrets pursuing the court case, Joyce's response is telling: "Yeah...but I didn't take Julian Cope to court and I haven't spoken to him for 30 years. To not be in touch with people you've been in bands with isn't that strange."
Joyce's memoir provides an intimate look into The Smiths' history, offering a nuanced exploration of the band's creative highs and personal tensions. Though Morrissey fans may still troll him online, Joyce remains committed to celebrating his former bandmates' music, rather than letting past disagreements define their legacy.