In the latest iteration of House of Tarot's immersive art show, Detroiters are invited to immerse themselves in a distinct sensory and emotional experience. The exhibition, held at the Boyer Campbell Building, features 13 artists interpreting cards from the Minor Arcana, with each space evoking a unique atmosphere. From packed rooms wall-to-wall with paintings to installations that feel more like rituals than exhibitions, every room offers a new journey for viewers.
The show is centered around Brigid, the queer Celtic goddess of fire, poetry, and wisdom, and the theme of healing. Imbolc Detroit, a city-wide winter festival rooted in ritual, care, and collective creativity, partnered with House of Tarot to create an event that celebrates these values. The exhibition marks the halfway point between the Winter Solstice and Spring Equinox, making it a poignant moment to reflect on growth and renewal.
While this iteration may feel slightly less impactful than its predecessor, House of Tarot remains one of the most compelling immersive art experiences in Detroit. A live music performance adds an extra layer of depth to the atmosphere, creating a sense of intentionality and meditation.
One of the standout installations is the King of Cups, created by Melissa Webb. This piece invites viewers to witness a reclamation of the Earth through wildness, with three individuals physically immersed in the work itself. The installation's design encourages contemplation and healing, as if one is becoming part of the artwork rather than just observing it.
In contrast, Jesse Kassel's Nine of Pentacles presents a more ambiguous interpretation. A room filled with fabric, papers, and scattered materials seems disorienting at first glance. However, this uncertainty is intentional, inviting viewers to question their own perceptions and success. The card description explains that the installation can be seen as either a display of abundance or an attempt to create the appearance of wealth.
For many, immersive exhibitions like House of Tarot continue to offer one of the most effective ways to experience art. While this iteration may not have fully captured the same level of immersion as its predecessor, it still provides moments of real resonance and sparks hope for future interpretations and artists willing to push boundaries.
The show is centered around Brigid, the queer Celtic goddess of fire, poetry, and wisdom, and the theme of healing. Imbolc Detroit, a city-wide winter festival rooted in ritual, care, and collective creativity, partnered with House of Tarot to create an event that celebrates these values. The exhibition marks the halfway point between the Winter Solstice and Spring Equinox, making it a poignant moment to reflect on growth and renewal.
While this iteration may feel slightly less impactful than its predecessor, House of Tarot remains one of the most compelling immersive art experiences in Detroit. A live music performance adds an extra layer of depth to the atmosphere, creating a sense of intentionality and meditation.
One of the standout installations is the King of Cups, created by Melissa Webb. This piece invites viewers to witness a reclamation of the Earth through wildness, with three individuals physically immersed in the work itself. The installation's design encourages contemplation and healing, as if one is becoming part of the artwork rather than just observing it.
In contrast, Jesse Kassel's Nine of Pentacles presents a more ambiguous interpretation. A room filled with fabric, papers, and scattered materials seems disorienting at first glance. However, this uncertainty is intentional, inviting viewers to question their own perceptions and success. The card description explains that the installation can be seen as either a display of abundance or an attempt to create the appearance of wealth.
For many, immersive exhibitions like House of Tarot continue to offer one of the most effective ways to experience art. While this iteration may not have fully captured the same level of immersion as its predecessor, it still provides moments of real resonance and sparks hope for future interpretations and artists willing to push boundaries.
. They're trying to distract us from the real issue at hand – the lack of representation in our society. I mean, a whole city-wide festival centered around one goddess? It's all about control and shaping public opinion, if you ask me 
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. Sounds like a clever marketing ploy to me. They're just using it as a smokescreen for their true intentions. I've got my eye on those artists, though – Melissa Webb and Jesse Kassel seem like they're in cahoots with the establishment 
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. I mean, who needs an actual immersive art experience when you can just be spoon-fed emotions and symbolism? Wake up, sheeple!
! It's like stepping into a different dimension, where art and spirituality blend together in this beautiful way. I was totally immersed in the King of Cups installation - it's so cool how you can literally become part of the artwork 
. And Jesse Kassel's Nine of Pentacles is like a puzzle, making you question what's real and what's just an illusion 
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. And to have live music added to the mix? Absolutely magic 
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. Even if this iteration doesn't quite reach the same heights as before, it's still an incredible experience that leaves you feeling hopeful and inspired 
. Can't wait to see what future iterations have in store! 
I mean, walking into a room and just being enveloped in this otherworldly atmosphere... it's like nothing else matters for that one moment. And the theme of healing is so relevant right now 
, especially with Imbolc Detroit all about growth and renewal. It's dope to see artists interpreting tarot cards in such a unique way - I loved the King of Cups installation, it was like you became part of the art itself! 
And yeah, Jesse Kassel's piece had me questioning everything too... like what even is abundance, right? 
Overall, House of Tarot just keeps getting better and better 
And I'm reminded of this idea of growth and renewal... is it possible to truly grow if we're not facing some kind of discomfort or unease? 
. It's amazing how House of Tarot can create an atmosphere that feels like you're not just looking at art, but actually experiencing it 
. Plus, the way they partner with local artists and creatives to create something truly unique is just amazing 
and I'm trying to figure out how to use Snapchat 
. The fact that they're using art to celebrate healing and growth is really inspiring 
I'm def gonna check this out when Imbolc Detroit happens... does anyone know more about the Queen of Cups installation? 
. The way the King of Cups installation makes you feel like part of the artwork is pure magic 
The way they've woven together art, music, and ritual is just magic 
. The Brigid theme is so powerful, celebrating healing and growth – it's the perfect timing with Imbolc Detroit happening too 
. While this might not have been as impactful as its predecessor, it's still a masterclass in immersive art 
I think what I love about immersive exhibitions like House of Tarot is that they make you feel like art is more than just something hanging on a wall. They're an experience, man! 
I do think some installations might be a bit confusing at first (looking at you, Nine of Pentacles 
. I loved how Brigid's theme of healing was woven throughout the whole thing, it really resonated with me right now. And the live music performance added such an extra layer of depth to the whole experience... it felt like we were all there for a reason 
. The only thing that made me think it wasn't as impactful as their last show was that some of the rooms felt kinda disconnected from each other, but still... overall it was so worth checking out!
i loved how each room was like a different journey, you know? some were so calm & peaceful (like, literally felt like meditating 
. but honestly, it all kinda blended together & created this weird sense of flow 
i loved how you got to just get lost in it & feel like u r part of the art itself 
i'm low-key obsessed with her story now 
. but what really caught me off guard was that Nine of Pentacles installation... idk, man, it kinda freaked me out 
like, why do u make me question my own success? 
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. if ur in detroit, u gotta check this out!!! 
. The idea that each room is like a different journey for viewers is genius! 
still loved seeing all the other art, especially that King of Cups piece – being physically immersed in it felt so special 
. Melissa Webb's King of Cups installation was literally breathtaking – it felt so personal and raw... 
Im just seein a bunch of people payin to be confused lol the theme of healing is so overdone, every single art show has that nowadays. And the fact that its centered around some ancient goddess I dont even know much about, its like they're tryin to make it edgy 
but honestly, its just a bunch of ppl dressin up in weird costumes and callin it art.
