Like Lipstick on a Fabulous Gorilla: The Barbican's Many Gaudy Glow-Ups and the One to Top Them All
The Barbican, aptly named after its historical purpose as a fortified gateway, has been a stalwart of London's skyline since its opening in 1982. Originally intended to be a catalyst for life back into the city through swish new housing and culture, it has evolved over time, with its arts centre at the heart, becoming an architectural national treasure.
Leaking, crumbling fabric, outdated services, and accessibility issues have plagued the Grade II-listed complex for years. Remedial strategies have been tried before, but none have fully addressed the issues, earning the building a reputation as a "starchitect-ified" monolith. However, the latest proposal to upgrade and transform the Barbican promises a more thoughtful approach.
Alies and Morrison, in conjunction with Asif Khan Studio, will oversee a "fabric first" overhaul, prioritizing decarbonization, making good, and fitting for the future. The new design will be a nod to the building's original brutalist charm while incorporating modern sustainability practices. Turner prize-winners Assemble will tackle the challenging task of improving wayfinding.
However, amidst the excitement, concerns have been raised about the proposed development on Silk Street, directly across from the arts centre. Two 20-storey towers designed by American architects SOM threaten to overshadow the Barbican's east end, sparking opposition from residents' groups and heritage bodies. The Twentieth Century Society has called for respect for the building's status as a prominent architectural landmark.
The Barbican's transformation will undoubtedly have an impact on its reputation, both positively and negatively. Will it emerge as a more refined yet still robust representation of London's mid-century modern past? Or will the new additions compromise its integrity? As the renovation progresses, one thing is certain: the Barbican will once again prove itself to be a resilient and captivating presence in the city's skyline.
The Barbican, aptly named after its historical purpose as a fortified gateway, has been a stalwart of London's skyline since its opening in 1982. Originally intended to be a catalyst for life back into the city through swish new housing and culture, it has evolved over time, with its arts centre at the heart, becoming an architectural national treasure.
Leaking, crumbling fabric, outdated services, and accessibility issues have plagued the Grade II-listed complex for years. Remedial strategies have been tried before, but none have fully addressed the issues, earning the building a reputation as a "starchitect-ified" monolith. However, the latest proposal to upgrade and transform the Barbican promises a more thoughtful approach.
Alies and Morrison, in conjunction with Asif Khan Studio, will oversee a "fabric first" overhaul, prioritizing decarbonization, making good, and fitting for the future. The new design will be a nod to the building's original brutalist charm while incorporating modern sustainability practices. Turner prize-winners Assemble will tackle the challenging task of improving wayfinding.
However, amidst the excitement, concerns have been raised about the proposed development on Silk Street, directly across from the arts centre. Two 20-storey towers designed by American architects SOM threaten to overshadow the Barbican's east end, sparking opposition from residents' groups and heritage bodies. The Twentieth Century Society has called for respect for the building's status as a prominent architectural landmark.
The Barbican's transformation will undoubtedly have an impact on its reputation, both positively and negatively. Will it emerge as a more refined yet still robust representation of London's mid-century modern past? Or will the new additions compromise its integrity? As the renovation progresses, one thing is certain: the Barbican will once again prove itself to be a resilient and captivating presence in the city's skyline.