In "My Brother's a Genius", playwright Debris Stevenson weaves a captivating two-hander about neurodivergent twins Daisy and Luke, whose close sibling bond is marked by intimacy, ambition, and fantasies of escape. The play seamlessly blends poetry and movement, with grime compositions that infuse the performance with infectious energy.
Jess Senanayake and Tyrese Walters deliver impressive performances as the twins, navigating their unique experiences with dyslexia, ADHD, autism, and more. Their raps are notable for their charm and chemistry, conveying a deep affection between the siblings. Under Eleanor Manners' direction, however, the pacing could benefit from a slower tempo to fully absorb the drama's emotional depth.
The production's visual design is somewhat ambiguous, with Erin Guan's set comprising a curtain, swing, and cardboard stereo system that fail to provide clear context for the narrative. The movement and action in the play can also be murky at times, making it challenging to follow scene transitions.
Despite these minor quibbles, "My Brother's a Genius" is an absorbing drama that delves into the complexities of neurodivergent experiences. The script, penned by Stevenson, showcases his unique talent as a playwright and poet. The show's use of omniscient narration adds depth and layers to the narrative, although it occasionally leads to confusion.
When it clicks, however, "My Brother's a Genius" is an exhilarating experience, particularly in scenes like Daisy's breakout moment in circus training, where she finds solace and belonging. Tyrese Walters' portrayal of Luke as a protective yet single-minded brother in denial is also noteworthy.
Ultimately, the show's success hinges on its words, with Stevenson's poetry and grime compositions taking center stage to convey the twins' dreams, desires, and struggles. As an idiosyncratic and infectious drama, "My Brother's a Genius" affirms Debris Stevenson as a gifted playwright, leaving audiences enthralled by his unflinching portrayal of neurodivergent experiences.
Jess Senanayake and Tyrese Walters deliver impressive performances as the twins, navigating their unique experiences with dyslexia, ADHD, autism, and more. Their raps are notable for their charm and chemistry, conveying a deep affection between the siblings. Under Eleanor Manners' direction, however, the pacing could benefit from a slower tempo to fully absorb the drama's emotional depth.
The production's visual design is somewhat ambiguous, with Erin Guan's set comprising a curtain, swing, and cardboard stereo system that fail to provide clear context for the narrative. The movement and action in the play can also be murky at times, making it challenging to follow scene transitions.
Despite these minor quibbles, "My Brother's a Genius" is an absorbing drama that delves into the complexities of neurodivergent experiences. The script, penned by Stevenson, showcases his unique talent as a playwright and poet. The show's use of omniscient narration adds depth and layers to the narrative, although it occasionally leads to confusion.
When it clicks, however, "My Brother's a Genius" is an exhilarating experience, particularly in scenes like Daisy's breakout moment in circus training, where she finds solace and belonging. Tyrese Walters' portrayal of Luke as a protective yet single-minded brother in denial is also noteworthy.
Ultimately, the show's success hinges on its words, with Stevenson's poetry and grime compositions taking center stage to convey the twins' dreams, desires, and struggles. As an idiosyncratic and infectious drama, "My Brother's a Genius" affirms Debris Stevenson as a gifted playwright, leaving audiences enthralled by his unflinching portrayal of neurodivergent experiences.