Paul Taylor Dance Company, one of the most prominent figures in American modern dance, has finally returned to London after 20 years. Their latest UK tour features two programmes, including the company's final work, Concertiana, from 2018. The programme is set to the iconic music of Johann Sebastian Bach and Paul Taylor's choreography.
At first glance, Brandenburgs may appear too 'twee' or dated for some viewers. However, as the piece progresses with its energetic leaping, spinning, and tight technique, it becomes clear that this is dance that radiates joy and life. The dancers embody the spirit of athleticism and physicality, reminiscent of the gods of Olympus.
The company's women wear green Grecian-style dresses, adding to their Olympean beauty as they perform in harmony with Bach's music. The atmosphere is one of celebratory joy, inviting the audience to revel in the beauty of dance.
In contrast, Piazzolla Caldera (1997) is a more intense and seductive piece. Set to the rhythms of tango, it transports the viewer to Buenos Aires's seedy underworld. The dancers' faces are etched with passion and longing, drawing the audience into their world of desire and pleasure.
Under the Rhythm by resident choreographer Robert Battle is another highlight of the tour. This piece is a tribute to his mother and celebrates the power of dance to overcome life's challenges. It features virtuosic jazz performances that evoke the spirit of African American modern dance, with nods to Alvin Ailey and the Nicholas Brothers.
Overall, Paul Taylor Dance Company's latest UK tour is an unmissable experience for dance lovers. Their performances showcase the beauty and athleticism of modern dance, inviting audiences to join in their joyful celebration of life.
At first glance, Brandenburgs may appear too 'twee' or dated for some viewers. However, as the piece progresses with its energetic leaping, spinning, and tight technique, it becomes clear that this is dance that radiates joy and life. The dancers embody the spirit of athleticism and physicality, reminiscent of the gods of Olympus.
The company's women wear green Grecian-style dresses, adding to their Olympean beauty as they perform in harmony with Bach's music. The atmosphere is one of celebratory joy, inviting the audience to revel in the beauty of dance.
In contrast, Piazzolla Caldera (1997) is a more intense and seductive piece. Set to the rhythms of tango, it transports the viewer to Buenos Aires's seedy underworld. The dancers' faces are etched with passion and longing, drawing the audience into their world of desire and pleasure.
Under the Rhythm by resident choreographer Robert Battle is another highlight of the tour. This piece is a tribute to his mother and celebrates the power of dance to overcome life's challenges. It features virtuosic jazz performances that evoke the spirit of African American modern dance, with nods to Alvin Ailey and the Nicholas Brothers.
Overall, Paul Taylor Dance Company's latest UK tour is an unmissable experience for dance lovers. Their performances showcase the beauty and athleticism of modern dance, inviting audiences to join in their joyful celebration of life.