Beryl Cook's colourful paintings have long been dismissed as mere kitsch, but a major retrospective of her work opening in Plymouth next weekend is set to prove that she was a serious and significant artist. The Pride and Joy show features over 80 paintings, alongside sculptures, textiles, and access to Cook's personal archive of photographs, sketches, and correspondence.
Curator Terah Walkup says that Cook wasn't painting caricatures, but rather documenting communities and identities that were actively marginalised with affection, mastery, and honesty. Her work from the 1970s to 2000s captures working-class joy, body positivity, and queer culture.
A little-known 1972 painting called Bar Girls features two women enjoying a full pint and each other's company, celebrating their occupation of space unapologetically. Cook's meticulous methods of working are revealed in the exhibition, which also highlights her influences and impact, ranging from saucy seaside postcards to the work of Amedeo Modigliani and Pieter Bruegel the Elder.
The show comes at an apt time, with 2026 marking the centenary of Cook's birth and Plymouth bidding to become the UK city of culture. Jemima Laing, the deputy leader of Plymouth city council, says that Cook put the place on the cultural map, painting its sailors, shoppers, pubs, and people with warmth, humour, and genuine affection.
Larger-than-life sculptures of some of Cook's characters will be popping up across the city, and writer Julian Spalding describes her as "one of the glories of British painting, a modern William Hogarth and Thomas Rowlandson rolled into one." Cook's joy was driven to create, she once said.
Curator Terah Walkup says that Cook wasn't painting caricatures, but rather documenting communities and identities that were actively marginalised with affection, mastery, and honesty. Her work from the 1970s to 2000s captures working-class joy, body positivity, and queer culture.
A little-known 1972 painting called Bar Girls features two women enjoying a full pint and each other's company, celebrating their occupation of space unapologetically. Cook's meticulous methods of working are revealed in the exhibition, which also highlights her influences and impact, ranging from saucy seaside postcards to the work of Amedeo Modigliani and Pieter Bruegel the Elder.
The show comes at an apt time, with 2026 marking the centenary of Cook's birth and Plymouth bidding to become the UK city of culture. Jemima Laing, the deputy leader of Plymouth city council, says that Cook put the place on the cultural map, painting its sailors, shoppers, pubs, and people with warmth, humour, and genuine affection.
Larger-than-life sculptures of some of Cook's characters will be popping up across the city, and writer Julian Spalding describes her as "one of the glories of British painting, a modern William Hogarth and Thomas Rowlandson rolled into one." Cook's joy was driven to create, she once said.