For years, Susan Choi had Dickens pegged as the author behind the cringe-worthy Christmas TV specials. But after reading Bleak House for the first time during the pandemic, Choi discovered a whole new side of the beloved author.
Choi's journey to appreciating Dickens began with her early reading habits. Growing up, she devoured books by Roald Dahl and Mary Norton, both known for their whimsical tales of miniatures living in secret worlds. As she grew older, Choi found herself drawn to authors like Donald Barthelme, whose irreverent style and clever storytelling captivated her.
However, it wasn't until she read Sigrid Nunez's short story Chang that Choi's perception of literature was forever altered. The multiracial protagonist in the story shook Choi out of her literary comfort zone, forcing her to confront the default whiteness of fictional characters. This epiphany led Choi to re-examine her own writing habits, recognizing the tendency to erase specificity from non-white characters.
Choi's love affair with Virginia Woolf and Henry James also played a significant role in shaping her reading tastes. But it wasn't until she reread To the Lighthouse that she realized she wanted to emulate Woolf's unique style. The experience was so overwhelming that Choi's own writing suffered as a result.
Fast forward to her late teens, when Choi discovered F Scott Fitzgerald's The Great Gatsby. Despite initially despising the novel in school, she has since come to appreciate its comfort food quality โ a reminder that sometimes, it's okay to indulge in familiarity rather than pushing boundaries.
So, what changed? For Choi, the answer was Charles Dickens. After years of associating him with Christmas TV specials, she finally found herself enthralled by his work. The experience was nothing short of transformative, and Bleak House became one of her greatest reading experiences ever.
It's a fascinating journey that highlights the complexities of taste and literary appreciation. Who knew that a beloved author like Dickens could evoke such strong emotions? As Choi continues to explore the world of literature, it will be interesting to see how she navigates this newfound love for the often-maligned Dickens.
Choi's journey to appreciating Dickens began with her early reading habits. Growing up, she devoured books by Roald Dahl and Mary Norton, both known for their whimsical tales of miniatures living in secret worlds. As she grew older, Choi found herself drawn to authors like Donald Barthelme, whose irreverent style and clever storytelling captivated her.
However, it wasn't until she read Sigrid Nunez's short story Chang that Choi's perception of literature was forever altered. The multiracial protagonist in the story shook Choi out of her literary comfort zone, forcing her to confront the default whiteness of fictional characters. This epiphany led Choi to re-examine her own writing habits, recognizing the tendency to erase specificity from non-white characters.
Choi's love affair with Virginia Woolf and Henry James also played a significant role in shaping her reading tastes. But it wasn't until she reread To the Lighthouse that she realized she wanted to emulate Woolf's unique style. The experience was so overwhelming that Choi's own writing suffered as a result.
Fast forward to her late teens, when Choi discovered F Scott Fitzgerald's The Great Gatsby. Despite initially despising the novel in school, she has since come to appreciate its comfort food quality โ a reminder that sometimes, it's okay to indulge in familiarity rather than pushing boundaries.
So, what changed? For Choi, the answer was Charles Dickens. After years of associating him with Christmas TV specials, she finally found herself enthralled by his work. The experience was nothing short of transformative, and Bleak House became one of her greatest reading experiences ever.
It's a fascinating journey that highlights the complexities of taste and literary appreciation. Who knew that a beloved author like Dickens could evoke such strong emotions? As Choi continues to explore the world of literature, it will be interesting to see how she navigates this newfound love for the often-maligned Dickens.