The Storm Whale review – a poignant tale of friendship and letting go.
In this endearing adaptation of Benji Davies' picture book, Emily Essery shines as Noi, a young boy struggling to cope with his absent father's daily fishing trips. The story takes an unexpected turn when a washed-up whale finds its way into their seaside home, bringing joy and companionship to the lonely boy. As Noi gradually learns to accept that he must set the whale free, director Matt Aston masterfully explores themes of solitude and loneliness.
While the script is indeed touching and evocative, some of the earnest messages start to feel repetitive, and the dialogue can be heavy-handed at times. The introduction of a midlife crisis by Noi's friend Flo falls flat with young audiences. However, the show does deliver in its flights of fancy, such as the whimsical idea of licking the lighthouse for strawberries-and-cream taste.
The puppetry is undeniably impressive, particularly the squishy and expressive whale puppet designed by Keith Frederick. The choreography to Hayley Del Harrison's music and Jason Salvin's lighting design all contribute to a visually stunning production.
One area where the show falls short is in its original tale's playfulness. Benji Davies' story can feel flat at times, and Oliver Jeffers' boy-and-penguin duo from Lost and Found is sorely missed for their offbeat humour and adventurous spirit. The two set pieces – when Noi returns the whale to the water and his father's rescue in a stormy sea – are brief but impactful.
Ultimately, The Storm Whale is a heartwarming tale of friendship and growing up that will resonate with young audiences and their families. While it may not be the most adventurous or humorous show, its gentle message about letting go and finding companionship in unexpected places makes for a compelling watch.
In this endearing adaptation of Benji Davies' picture book, Emily Essery shines as Noi, a young boy struggling to cope with his absent father's daily fishing trips. The story takes an unexpected turn when a washed-up whale finds its way into their seaside home, bringing joy and companionship to the lonely boy. As Noi gradually learns to accept that he must set the whale free, director Matt Aston masterfully explores themes of solitude and loneliness.
While the script is indeed touching and evocative, some of the earnest messages start to feel repetitive, and the dialogue can be heavy-handed at times. The introduction of a midlife crisis by Noi's friend Flo falls flat with young audiences. However, the show does deliver in its flights of fancy, such as the whimsical idea of licking the lighthouse for strawberries-and-cream taste.
The puppetry is undeniably impressive, particularly the squishy and expressive whale puppet designed by Keith Frederick. The choreography to Hayley Del Harrison's music and Jason Salvin's lighting design all contribute to a visually stunning production.
One area where the show falls short is in its original tale's playfulness. Benji Davies' story can feel flat at times, and Oliver Jeffers' boy-and-penguin duo from Lost and Found is sorely missed for their offbeat humour and adventurous spirit. The two set pieces – when Noi returns the whale to the water and his father's rescue in a stormy sea – are brief but impactful.
Ultimately, The Storm Whale is a heartwarming tale of friendship and growing up that will resonate with young audiences and their families. While it may not be the most adventurous or humorous show, its gentle message about letting go and finding companionship in unexpected places makes for a compelling watch.