London's Tube seats have long been a source of fascination for many. What sets them apart from other metro systems, however, are their unique designs - particularly moquette, a fabric that has become synonymous with the city's underground culture.
The story begins in the 1930s when Frank Pick, vice-chair of London Transport, commissioned brighter moquettes from top textile designers, including Enid Marx and Marion Dorn. His vision was to incorporate red and green into the designs, representing the town and country respectively, and to achieve a sense of serenity.
Today, Barman, introduced in 2010, is arguably the most iconic moquette design, featuring landmarks such as Big Ben, Battersea Power Station, and St Paul's Cathedral. Its mysterious nature has captivated many, making it a must-see for tourists and locals alike. The design was created by Wallace Sewell, with some considering it to be "retro" due to its vintage feel.
The Northern line is home to Barman, but other lines have their own unique moquette designs, such as Tuppenny on the Central line, which features red, black, and grey colours reminiscent of a coal fire. The Elizabeth line boasts eight colours, including royal purple, representing connecting lines and train movements digitally represented in some futuristic signal boxes.
One thing that sets London's Tube seats apart is their moquette pile, which can be left as loops or cut for a more vivid colour and velvety texture. However, the sub-surface moquette at King's Cross station has been badly worn, with the backing fabric "grinning through" in some areas.
The legacy of Frank Pick continues to live on, evident in Londoners' willingness to pay for moquette-inspired products, such as bags, cushions, and pouffes. The man himself once said, "The quality of our surroundings contributes to the quality of our own lives."
The story begins in the 1930s when Frank Pick, vice-chair of London Transport, commissioned brighter moquettes from top textile designers, including Enid Marx and Marion Dorn. His vision was to incorporate red and green into the designs, representing the town and country respectively, and to achieve a sense of serenity.
Today, Barman, introduced in 2010, is arguably the most iconic moquette design, featuring landmarks such as Big Ben, Battersea Power Station, and St Paul's Cathedral. Its mysterious nature has captivated many, making it a must-see for tourists and locals alike. The design was created by Wallace Sewell, with some considering it to be "retro" due to its vintage feel.
The Northern line is home to Barman, but other lines have their own unique moquette designs, such as Tuppenny on the Central line, which features red, black, and grey colours reminiscent of a coal fire. The Elizabeth line boasts eight colours, including royal purple, representing connecting lines and train movements digitally represented in some futuristic signal boxes.
One thing that sets London's Tube seats apart is their moquette pile, which can be left as loops or cut for a more vivid colour and velvety texture. However, the sub-surface moquette at King's Cross station has been badly worn, with the backing fabric "grinning through" in some areas.
The legacy of Frank Pick continues to live on, evident in Londoners' willingness to pay for moquette-inspired products, such as bags, cushions, and pouffes. The man himself once said, "The quality of our surroundings contributes to the quality of our own lives."